Posts by RosboneMako

    Backordered - their favorite word I guess. G&L doesn't make large runs like the other companies and they get scooped up pretty quickly when in stock. I ordered thru Sweetwater figuring they would have the most influence on getting it faster. I guess not.

    I bought a cheap G&L tele. The lipstick pickup was hands down the worst sounding pickup I have ever heard. Popped my old Squire Strat pickup in. Night and day.


    Not crapping on G&L, just trying to soften the blow of not getting the guitar you want My friend has a good G&L Tele and its the best sounding guitar I have ever heard. Hope it comes soon for ya!

    Monoprice has a Tele on sale and you get 20% off right now

    I don't get all the whining....

    Players wanted a full function Kemper in a smaller package for travel. This is not that.

    But the Player serves another function. It now makes Kemper affordable. Kemper is now in a whole new market space. I know if I could get a Player for a decent price, I would have converted to Kemper many years ago. Instead, I never even looked at Kemper because it was way too much money for me ($500 US max). Line 6 making Helixs sell for $1500 made me look at a Kemper.


    This is like giving away crack for free to new drug users. Soon used Players will be for sale everywhere because people will be upgrading to the bigger stuff


    Looks like the perfect unit for its purposes. Kempers designs are always perfection.

    USA buyer here, I always buy from Sweetwater if possible. The fact I have had the same person as my sales rep for many years tells me they are paying these people well and it is a decent place to work. When you call other places, the person on the phone is like "Bro, I am making minimum wage. What do you want from me?". SW always goes the extra mile to make sure I am happy.


    That said, SW annoys me with the Google Ads following me around for weeks after I look at something. You looked at a Kemper, here are Kemper ads for the next 3 weeks. Hope it wasn't a Xmas present because now everyone in your house is getting these ads. Some days I want to move to Europe, you guys dont seem to put up with this crap as much.


    I wonder how much of a difference it is to buy from Kemper direct. Seems like most sales rep configs would have the german sales rep firm making money from the sale. Of course that would be closer to 5% then the higher numbers a seller would make. Interesting topic. For me, it would be dumb since they would have to mail across the globe. Someone will eat that cost.


    I purchased my Kemper from Guitar Center (in town) in case I wanted to return it. When I was unhappy, GC would not take it back. So that back fired. I then bought my Helix from Sweetwater, so you lost a sale GC nice job. I try to never buy from GC ever. Musicians Friend purchased them and are slowly making them better but they are still my last choice.


    I buy Sweetwater or MF Stupid Deal. MF has taken care of me in the past very well, but dont have the depth of help SW has.


    I have a local shop I try to buy from first, to help them. But they rarely have what I am looking for. So I end up buying like 2% of my stuff there I may make donations of old stuff there later

    Clean amps have a ton of headroom (dynamic range). So a lot of Kemper profiles sound thin and lack chime because it is reproducing that high dynamic range. Some profilers will add compression to bring them alive.


    That is the key here, add compression. I personally like the compressor in the stomp section. The compressor in the AMP section works also. You can also try some AMP section SAG to get different tones.


    My other fav trick is adding a TREBLE BOOSTER stomp after the AMP/CAB. Adjust the MIX to taste.


    Not sure what sound you are looking for but a neat clean profile to try is in Rig Exchange named "Wooly Coats Spanky MK2".

    I am writing a VST and I made a weird thing where I boost/dist 150HZ and 1500HZ and it gets real chimey. I made some profiles and put them on Rig Exchange also. Results will vary. Mine are labelled "MakoD2-Chime01" thru "MakoD2-Chime06". They have a lot of high end and various crispiness.


    You can also try a crunch amp like the famous AC30 profile and turn down the gain.


    You have a ton of options. Best of luck getting the sound in your head and out of your speakers!

    One of the best Marshall IRs I have heard is on the Kemper from the factory (Rig Manager?). Locate the Lars Leuttge pack. Its probably a Marshall amp because the cab is labelled 1960AV or something. If you look at this IR in some software, it looks like it was man made because everything is perfect as far as phase etc.

    But IRs are a chase-your-tail kind of thing. They always sound like "it could be a little better".


    Good luck!

    Welcome!


    Long time Line6 fan here. I even got a Helix after I got a Kemper. Love both, its a great time to be a guitarist.


    As I only play at low volumes I have always had great luck with studio speakers.


    Recently I started driving a Katana with a single 12 and was surprised how good it sounded. It lacked the clarity and bass of my monitors but once you get a 12" up to volume it really starts to shine. Get that heavy low mid push. The Katana 12 had enough high freq to be useful in my case. I assumed a monitor would be much better. But the Katana stood its ground.


    I have not tried a Kab, etc. Imprints sounds fun.


    The amplifier is a major concern. If you want the profiler to do the heavy lifting, then you want the loudest cleanest power you can get. Since you are questioning your current tube setup, I think you are leaning towards a cleaner setup. I think this is another variable that puts people into certain camps. A Kemper/Line6 into a slightly driven amp sounds amazing and has insanely good feel! But it will not sound good for every profile right?


    But my suggestion would be focus on the volume you play at. This is where amps and speakers start to run into issues.


    Best of luck!

    The Kemper has a small parallel option. I turn it on in the INPUT section of the rig using RIG MANAGER. I usually use a Graphic EQ and a Chorus on that signal and mix that with the amp profile path. I think the limitation is the first two stomps are only available. It is meant to be used for bass.

    I also have a Helix and use the same parallel GEQ Chorus setup on that.


    I also wrote a VST and made a parallel path before the amp section just for this purpose. Since I wrote it myself I have 3 stomps and 2 modulation slots available. And I tend to use a more distorted sound into the chorus on the VST. Mostly because I do it all in stereo and the chorus spreads it across the speakers nicely. So that is another option using a Kemper stomp to add grit and use the amp for cleans. Gotta love the Kemper.


    For new people trying this stuff, you always have to think about phase issues with two paths.

    I agree with everything said so far. Def seems to be an EQ adjustment at the input. My guess is it rolls off the lows. And agree it could be almost a tilt eq.


    Assuming it does not do a great deal more than input EQ, you could attach the Kemper to a sound card and run Room EQ Wizard on it to see the actual EQ changes.

    My take is that you will love the profiles that have:
    1) The sound you are looking for (amp/pickups/gain/EQ/etc).

    2) Been dialed in at the volume you will be playing them at.
    3) Been dialed in on similar equipment to your playback devices.


    1) You have to start with the correct sound/amp. Pickups are crucial to the sound also. Your personal taste also matters. if you like dark smooth tones vs gritty tones fully of bite for example.


    2) Due to your ears response, volume plays a significant role in how sounds are heard. Adding volume also increases the amount your playback devices amp will add to the sound. And the amount the speakers compression will affect the sound.


    3) If a sound is dialed in on a 12" speaker, it will sound a lot different on a high powered PA. And vice versa.


    So to me, these discussions of who is the best is almost meaningless unless you talk extensively about the music genre, guitar, pickups, monitoring solution, etc. For my purposes, the profiles I make myself are the best. But anyone else using them would say these are trash.


    I have not heard many people talk about how people author their profiles. I have only heard that MBritts sounds really good loud and thru a PA. So I assume he dials them in pretty loud in his studio with pretty good sized speakers. Or he just has a magic ear?

    In laymans terms:


    The 'Generic' EQ is the standard EQ that was normally used since the inception of the Kemper.


    Liquid Profiling means you can select other real world amp EQs instead of the Generic EQ. If you pick a Marshall EQ it will have the same frequencies and gains as the original amp. This is a cool feature because real amp EQs are interactive. Changing the mid may change the bass for example. The controls should act very similar to the real amp.


    This includes the gain control for a real amp. You will now have 2 gains. The LP amp gain which is adjusted to the real world amps gain range. And a regular gain that is the normal Kemper gain with its full range of control. Think of it like a Fender may have a gain range of 0-10 which corresponds to the Kemper gain of 0-.4 for example.

    I should also mention you will want to use a very clean profile and turn off any FX, Cab/IR, etc. That should give you the best shot at getting the right curves for the Amp EQ sections.


    Also note the liquid EQs may be interactive so you cant sweep the mid for example and call it a day. Adjusting the bass/treb/pres may affect the mid freq and response.


    REW is great for making profiles as well. You can sweep your mic setup and see if you have phase issues like suck outs, echoes cancellation, etc. First time I swept my 2x12 cab I was blown away by how much the one speaker bled into the other. I ended up piling deadening material around the unused speaker.


    Best of luck and have fun.

    In case you have time and wish to go further, I'd very much like to see studio equaliser curves for :

    - high cut

    - low cut

    - steep low on/off

    - steep high on/off

    The app used to determine/show the freq curves is called ROOM EQ WIZARD. It is a free download.


    You need to be able to run your audio cards output into the Kemper and then Kemper out to your audio cards input. At least in the analog out only days of the Kemper.


    Since the Kemper acts as an audio device itself now, you may be able to route it without touching any cables. I have not tried.


    Not telling you to do it yourself. Just posting info for others and also help you in case you want to know what some of the new Liquid EQ response are. You can get REW and start sweeping all of the stuff you are interested in. Like what is the EQ of a tube screamer? Sweep it and find out!


    cheers

    Half of the fun of doing a tune is seeing how it comes out sonically. Super fun tune! If Tony Iommi can write some of the best guitar riffs ever with no finger tips, I have hope you will be fine.