Thank you Timo; I was afraid of that.
This means that my "Player" purchase will have to wait 'til the big ol' Mac upgrade.
Bummer!
Or you can get a cheap phone or tablet.
Posts by Rayosytruenos
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Thanks ckemper.
Everything you tell makes sense.
And... I "know" (as you do) that the Player is exactly what a lot of people were expecting.
Indeed, I was expecting something like the Player but without effects! Man, it can handle all the effects I generally use!
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I think the Player is a very good idea, as everything they do.
About the screen. No problem. I used to use the cheapest windows tablet I found to run Rig Manager. And now I don't need it with my android phone, and wireless, so no problems here.
Anyway I'd love stereo XLR outputs.
But the thing I'd like the most is the morphing in every footswitch.
Is it for you? The answer is easy.
I sold my Stage because it was too big for travelling with it (a lot of airplanes with my band).
The player is going to be great for me, I guess. Almost just what I wanted.
I wonder if it'll have morphing in future updates, but, anyway, I think I'll get one.
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I'm not understanding the no stereo out complaint.
There's clearly a stereo out. If you want xlr, couldn't you just buy a TRS to XLR adapter?
Well, it looks like the Monitor Outputs are not TRS but TS. But you can solve it with 2 DI boxes.
Everywhere I play they have DI boxes available.
In case I'm wrong and the MO are TRS, please tell me. It would be very good news for me.
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I cannot recommend the Boss WL20.
Mine had so many dropouts that I returned it and got another one. It was the same. I had the receiver attached to the mic stand, so it was like half a meter away. As soon as I separated a little, it failed. I only use it at home now. I do around 50 gigs per year. Most of them open air.
Then I got a Xvive and it works much better. No dropouts.
Previously I had line6 g30. Works on batteries, so...
I got the G10 and I love it. So much, in fact, that I got the G10S. It was horrible. Obviously defective. I returned it the same day.
As I like the "virtual cable" thing, I'd like to try the Sennheiser XSW-D, but I think it's a little too big and it looks like the flexible parts fail.
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Kemper and quad have no sound, its only as good as what you put into it,,
Well... QC is not only about captures, it also has amp models inside, so it "has" sound.
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I always carry one of those plastic rolls used for food.
Not very cool looking but very effective against dust, rain...
Don't know about opening the Stage, but when a footswitch is scratching I always use Contact Cleaner (residual 0). It works very good.
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Thank you.
It's not about that. It's about when you change the status of an effect in a performance (pushing pedals I, II, III, IIII) and change to another slot, when you come back to the slot where you changed the status of the effect, that status doesn't go back to the saved status. It only happens when connected to Rig Manager.
Is there a way to activate/deactivate this behavior no matter if Rig Manager is connected or not?
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Excuse me for writing here.
Yes, that's the behavior when the profiler is connected to Rig Manager.
I think there is a way to select if you want this to happen or not, but I cannot find it.
Any help?
Thank you.
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I Iike him so much... Classic but original, full of tricks... He is so expressive... Very inspirational. And, while being very accessible, so far away from the mainstream... And a lot of energy and feel.
Well, I really cannot explain it, just go and see and hear him playing.
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It would be great for sure.
I think there is a new device that does exactly that.
I'm sure that if it can be done with a Kemper, we'll have it (and it'll be free).
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Why "when possible use a later reverb"?
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I find a good workaround is to drag the effects I want to the desktop. Then I can drag them into whichever rig I need them.
This!!
I thought it was a joke, or a wish, but it works.
Just what I needed.
Thanks.
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Yes.
Excuse me, when I read wireless I understand you talk about wireless from guitar to amp. They are mono, and you do the stereo thing in the effects section, as you know.
If you talk about IEM, they are generally stereo, but not always.
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That's very strange.
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I saw Robben Ford live from the front row and his Dumble was pointed straight at me. It wasn't that balanced in the mix to me, but it's still the sound I "hear" when I'm thinking of the best guitar sound ever. 😎
Great!
How close?
I forgot to say seats were very close to the stage. Maybe 1,5 meters away, so maybe 5 meters away from the amps which were exactly at the height of our heads.
I also forgot to say the concert was beautiful and I absolutely recommend it.
And Skye keeps singing better and better. She is incredible. Even better than the records.
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Hello, let me explain, please. I just wanted to share this with you.
Yesterday I went to see this band I like sooo much.
Big auditorium.
I had my seat at first row. In the center. Just in front of the singer. File 1 Seat 1. As I love the guitar player's sounds (very classic Tele and 335 sounds with, yesterday, an AC30 and a Hot Rod Deluxe) and style, I also got tickets for first row but just in front of the player (yes; that's the kind of freak I am). I finally decided I'd use the one in the center and gave the others to my brother, who also plays guitar.
From my position, the guitar sounded... Perfect. That's the word. Perfect. So beautiful...
In fact I thought I should consider using my tube amps again for some gigs.
Until, at the end, my brother (remember: he also plays guitar and was also in first row but exactly in front of the guitar player), told me the guitar sounds were so horrible and loud that he couldn't really enjoy the gig.
The only conclusion I can get:
I got the right tickets.
Get yours right now but, please, not in front of the guitar player in the first rows.
I'm not saying at all he should use a modeler. No way. Never. But I have to think... What about some guitar amp shields?
And... Yes... How could it sound with a modeler, for the audience?
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To me, it sounds like the cab block/s was/were disconnected.
Did you use the same outputs you use at rehearsals?
Did you check the sound after the gig (at home, rehearsal room...)?
