Mine has always been like that. The arsey soundies will give you earache about it but the Real (World) ones will do something like this ….
Posts by Andy_T-V
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This is how you keep piano and harmonica players off your recording and you're seriously fucked on tubular bells.
Every cloud ....
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I agree with Morph ... sounds like a multi-head delay in there somewhere. Check out your delay if you are using it - if not, then used another reverb - a plate or hall would be smoother.
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If there are multiple groups of PROFILER and Remote within the same network, you need to enter the Remote menu (press Rig Button 1 plus TAP simultaneously), deselect Autoconnect, and select the serial number of the PROFILER you want to pair the Remote with. Otherwise the Remote searches and autoconnects to the first PROFILER it finds, which could be accidental.
This very thing happened to me during a rehearsal yesterday. I didn't know what I had done but being seated, it's possible I hit the combination above inadvertently. The remote became unresponsive and I had to reboot the KPA (head) but the remote remained unresponsive and the attached exp pedal (vol) didn't control the now howling amp! At the break, I restored from a backup and reconnected the now missing FX buttons. All well and good!
So, 1) Watch where you put your feet! 2) Always carry a backup. 3) Zero your guitar vol before rebooting - just in case! 4) In a fast changing gig, keep your backups up to date (daily - if necessary)
... and breathe!
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With the speaker as a wedge facing me ... I've set my High Cut (by ear) to 5612.2 Hz ... AND ...
because the 108 (and yes, I do have one) is quite hefty at the bottom end, Low Cut to 81.3 Hz (you might want to lower this if you are using drop D/C
This works for me and I haven't had any whinges from FOH to date.
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What do soundguys prefer ? -12 dB or is there no "ideal" outputsignal ...
I used to send 0.0 to sound (he never mentioned it) ... when Kemper added the -12 option, I asked his preference. "-12, it were a bit 'ot before" ... so -12 it is. Gives a bit of headroom.
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I think this is only possible in Performance mode:
Transmitting MIDI Commands to Two External Devices in Performance Mode
MIDI commands can be triggered and transmitted to external devices (maximum 2), whenever a Slot gets loaded in Performance Mode. You can, for instance, use this to switch presets, or to control parameters, of effects devices by other manufacturers that are connected to the effect loop of the PROFILER.
In System Settings, navigate to “Performance Mode: MIDI” page. Please note that this page is only accessible in Performance Mode.
MIDI 347
- Use the soft knobs to assign a MIDI channel to each of the external devices.
- Use soft buttons to determine whether the corresponding external devices are connected to MIDI OUT or MIDI
THRU. The MIDI THRU is not available at PROFILER Stage.
- For your convenience, you can also assign meaningful names to the two external devices using soft buttons.
- Press “Edit”, “Slot Settings” > “MIDI Settings”, then select the MIDI program change numbers associated with the
currently loaded Slot. Repeat this step for every Slot you intend to send MIDI program changes from.
✓As soon as you select MIDI THRU to transmit MIDI commands by Slot the PROFILER will stop forwarding incoming MIDI data to the MIDI THRU.
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Just goes to show you're never too old. What age are you now - 105 🤣
"Don't tell 'em Pike!"
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Classical from age 9. Heard 'Sylvia' by Focus (at age 15) and took up electric. Pro from '76. Still at it!
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Thanks @G String ; download works fine
The update(from rig manager) worked fine on my i7 (intel) mac ... the fail was on an M1
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Did it offer the upgrade twice?
I tried (fail) rebooted then tried again (also fail) then posted as above.
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Not so simple...
This went beyond 124%(!) before crashing out
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I don't want to hide under a blanket for vocals or a podcast.
It's how Les Paul recorded Mary Ford on 'How High the Moon' 😎
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Welcome (from a Kentish Kemper)! ... If you are looking for a good jazz profile, have a look at (on the rig exchange) zoltan1957's version of the Fuchs ODS. It's got a nice thump in the upper mids etc. I use a commercial version (from that well known Nashville profiler) but I have to say that I probably wouldn't be able to tell the difference in a blind test.
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You would have to tune to Drop D first and then go -1 on Transpose. So a d-tuna is helpful. I have a locking trem with a trem stop, so I can drop D pretty quickly with a turn of the fine adjustment screw. Best way is to tune a second guitar if it's practical in your case.
Add this one to the list: C G C G G D I recently had to play this for a theatre show along with Standard and DADGAD ... All in written notation so I was hearing different notes to the ones I was fingering. I talked to the composer about it and he said, "Yea, It's a mind fuck" ... He wasn't kidding! To answer the OP, I used a Variax.
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I'm in Kent
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I'd be interested in one of those (UK)
