If you want to use FX's from the HX after the Kemper, then you should connect the Output from the Kemper with the Input from the HX and from there to a DI Box or Interface.

Good luck.

I didn't find the cancel option

Yeah, you are skipping one round of digital->analog->digital conversion. So what you're actually saying, is the Apollo analog/digital conversion and audio signal circuits are better than on the Kemper (and that more conversions reduces quality). Which seems to make sense to me considering price of the two units and what they can do. Kemper has like 4x as many inputs/outputs but hardly costs a whole lot more.

Are you experiencing the same issue when you listen through headphones connected to the Profiler headphone output?

Check your output source settings and make sure you use Master Mono or Master Stereo. Only these two will give you the full signal chain.

I have no idea how the issue you are reporting could be caused by using an expression pedal that is configured as a wah pedal though.

I had this with a modified Carvin i went to a reheasal space and DI profiled it at volume. Kemper box an all. Some amps just do not want to profile right. This Carvin Valvemaster 2 was one of them. Clean profiles have this boomey bass thing an the distortion ch you can get, but it takes experimenting with the volumes. Some amps just profile great an some dont. I read negative feedback architectured amps have the issue

Quote from Wheresthedug

As @Bakersounds said, the most like cause is phase cancellation because you are hearing the direct sound along with the DAW signal which is delayed a few milliseconds. You need to either turn off the direct signal and only monitor the DAW sognal 9there will be some latency this way) or turn off the monitoring via the DAW and just listen to the direct signal while tracking.

Thanks, guys,

I did not mute the track in my DAW when monitoring.

John

The Effect Button I-IIII assignments, which are virtually available at the Player and can be triggered via built-in buttons or MIDI, are also not complete yet. The Player applies these if Rigs from other models get imported, but you cannot freely assign these yet. It takes an assignment function in the Editor to for example assign Freeze of the REV module to Effect Button II. So far you can only assign FX 1 and/or FX 2 to an Effect Button at the Player hardware. Example: You have used the Editor to assign module A to FX 1 and module DLY to FX 2 and stored this in your Rig. If your foot switch 2 is still configured as Effect Button I (default), you could now press the button of FX 1 and foot switch 2 simultanously and that foot switch will toggle module A on/off in that Rig. You could add FX 2 by holding its button and foot switch 2 simultaneously. Now foot switch 2 will toggle module A and DLY either in sync or inversely depending on their current state - like an Effect Button at a Remote/Stage would do. But this is not the full capacity of the EFfect Buttons,. which is planned for the new future.

You can buy the speakers by themselves.

Regardless, something still isn’t right with your set up. That much is guaranteed.

Oh wow I did not know. Gotta try that out as well. Thanks!

if both have the same or its a included rig pack... nah.

thank you for the reply!!

What I have started though is to use the Kemper via digit i/o and use my Focusrite Clarett+ IOs for guitar in and monitor out. This is in my bedroom studio only. I find it much better, and it actually sounds stellar to me. Few comparisons I tried since I have been using it like that are some plugins. Free ToneX player with factory captures, Helix AU plugin, Logic Pro X amp emulations. My verdict on sound quality: 1. Kemper, 2. ToneX, 3. Logic 4. Helix. None other than the Kemper has the harmonics as an amp has. If you play anything on the Kemper on higher notes, you hear as if the strings you play on were thicker physically. It's thick and harmonic rich.

I would be quite curious to compare the Kemper with better external preamps and converter to QC and some newer Fractal units (Axe-FX III or FM3). This would tell a lot about the real tone properties of the algorithms themselves.

I'll check tonight when I get home