Posts by Janne

I'd love some tonestacks for CAA/Suhr OD100 and PT-100.

I and many others here are using Yamaha DXR10. Sounds and feel great. Our band ended up buying a whole PA based on the DXR series.

Quote from cmburbul

Thnaks for the reply. The clock rate is the smae on both sides of the connection.

And what device is master? And is the other one synced to that?

I'm also using studio profiles with IR's and other cabs. I've always found that I often like the studio version better than the direct version of the same amp from most profilers. And I have not had any issues taking a studio profile and use it with my favorite cabs or IRs.

I don't really care about 'authenticity', what that is anyway. I just hunt for the rig that will get me as close as possible to the ideal versions of the sounds I have in my head.

I have moved into a new flat last year and I've noticed that I have a great amount of electrical interference in my studio/office.

Not only the one that you get sitting too close to any computer/monitor/KPA etc. but there are 'fields' within the room.

I can walk around the room with a guitar and pick up the noises depending on the direction of the guitar and how close to certain walls etc.

It's hard to record stuff with any type of hi gain even with humbuckers and SC are out of the question due to the amount of noise underneath the guitar itself.

Yes, there is dimmers in this room but the amount if interference dosen't matter if they are on/off or at any levels between.

Is there something I can do to reduce this? (the guitars are professionally shielded, Suhr & PRS, running wireless, no noise when the guitar volume is 0)

Quote from ST

Breathtaking!

Thank you! I never really liked that color scheme when I saw it in pictures, but in real life it's wonderful... it seem like one of those that can't be captured by a camera really well.

Quote from JEverly

Beautiful. I have a 594 double cut one off. It is truly one of my favorite guitars. It for me gives me the Les Paul control layout in a double cut guitar. I did end up changing the pickups in mine. The LT pickups were a little too weak for playing gigs. They caused too much of a drop off in volume when I would switch to it. I put in a set of 57/08 pickups and love it now.

Thank you! I was a bit worried about the pickups from what I had read on the 'net. But to my surprise the sound quite similar to my Suhr pickups that I really like. Open, detailed and full, but as you said a bit lower output. We'll see how that works out, I'll probably have different performances for each guitar to make any necessary adjustments. That flexibility is why we use our KPAs...

NGD! After searching for a Les Paul that I could really bond with, I stumbled upon this and could not resist...

I have always loved the look of a LP but I loved the versatility and ergonomics of a "Super Strat". And I have over the years tried and tried to find a LP that I could feel comfortable with and now I think the search have ended!

My Suhr Modern GG sig. will still be my no. 1 but this is worthy to hang with the top guy...

2018 PRS SC 594 with Artist package.

Mbritt also have some V30 speakers that sounds great. I'm not that found of his standard speaker, it's just my taste. So I'll usually switch to one of his V30s (Or Guidos) and that brings most profiles to life in my ears.

This clearly shows why you guys are one the best profile makers around! Love your stuff.

Bommel here have shared a lot of profiles and among those a bunch that are suited to acoustic guitars.

I recently did some recording with my Taylor and one of those profiles and I really liked the results.

Pushing 9db extra into any profile will make them sound different. Try to just raise the gain some notes and see what happens.

This is IMO what the dist sens is for and you can save different input presets for each guitar if you'd like.

Personally I would use individual rigs tailored for each guitar though.

And comparing single coils to humbuckers is also hard. One is not 'better' than the other but they sound different.

And don't forget you can switch cabs to something you might like better.
To me it's the Cab that influences what you hear the most. The freq content and spectra.

And the Amp part is the one that you feel as a player, how responsive to your playing, articulation, pickups and so on.

Thank you!

Actually the CAB presets will load just by double clicking on them. Since there is only one place for them to go...

I too would love to have the same right/left arrow key behavior as when loading rigs.

Probably something like a Boss SY-1 (or SY-300)

All your Cabs are seen as presets in RM3. Look in the Preset part of the panel on the left side.

Then you can just drag and drop that on to the Cab part in the editor panel.

... or under the HELP menu in RM.

Thanks for these test profiles.

I went through these using some of my fav cabs and IR's (converted to KPA cabs).

Signal chain: Suhr Modern -> KPA -> DXR10

Style: Hard Rock

Some rigs/cab combinations worked better that others but I gravitated towards the T4 and T7 mostly.

I found the T9-11 a bit indistinct and mushy. T1 a bit brittle and T5-6' midrange was not to my liking.

The T7 with the gain bumped 0.3 and my fav V30 cab became my fav.

Quote from G String

can you please get in touch with support and supply those Rig and, if you can, a backup with the performances which ended up having "Crunch" rigs inside?

we would like to take a look.

thanks, gs

I will, I have a backup from before upgrading...

Got bitten by the removal of rigs from a performance "bug"... This on the latest beta.

Came to rehearsals tonight and in my main performance, four of the five slots were replaced with the 'Crunch' preset.

I still had the original rigs in the browse pool but what I had in the performance were of course tweaked over some time.

When I got home I could open the latest backup with RM and retrieve the original performance and put I back into my KPA.

I hope this will not happen again with the next release...