Posts by piotrmaj

Same here, most of my sounds use less than 4 effects, so I'm good here. But lack of morphing is a real bummer for me - I use it a lot and would love to be able prepare a simple preset on Stage / Head with morphing but take Player to a gig - looks like it is not possible at the moment. I hope this can be addressed in future firmware update.

If you connect both using MIDI cable and enable "UI to MIDI" (System -> Midi Settings, page 8/12 on Stage) your second Profiler will "copy" whatever you do on first Profiler. Check section "Transmitting User Interface to MIDI Global Channel" in manual. I think this will not copy rigs from one to another - you can use Rig Manager to do this - or use backup / restore. You can combine the two: make both identical using backup / restore and then use UI to MIDI to "copy" changes as you make them.

OK, the hell officially froze. Midi over USB in latest beta.

BTW, JaSir84 - I wonder how your Logic project looks like. I also tried to use Logic like you do (single project for all songs) but ultimately it was a lot of work to set up all tempo / time signatures changes (to have metronome clicking correctly) and it was a nightmare when I wanted to do some editing which would change automation / timeline. Eventually I settled on using Gig Performer and I'm very happy with it but I'm curious about your experiences with using Logic.

just switch it on again at the end of song using Midi #26.

Wouldn't it work if PoE switch would be used to connect Remote to the ethernet network and Stage was connected to the same network via WiFi? (That would require some additional hardware, though - if at all possible).

Same here - KPA is the only 5-pin device left in my setup and definitely the only I know that can do Audio over USB but not MIDI over USB (typically it is the other way around). We need to be patient - it will catch up eventually but as always with KPA - progres is absolutely fantastic, albeit a bit slow.

I trigger morphing with CC#80. But you need to send two CC#80 in quick succession, first with value > 0 and right after it another CC#80 with value 0. This simulates "button press and release" on physical hardware.

Quote from Kemper Support #1

You have to disconnect the Remote to see the MIDI info.

I am aware of this limitation but it always felt a bit silly to be forced to unplug some hardware to see PC# (it is like "digital meets analog" parody). Is there any chance to make this information visible with remote connected? (maybe by means of new custom "utility" UI layout on remote?)

Hi Bert, I was trying to buy your Liquid SLO pack using Apple Pay but it fails for no apparent reason. PayPal doesn't work either for me. I don't have an account on your website - just wanted to quickly use Apple Pay (I'm from US) or PayPal without creating an account. Could you take a look at it and help me finishing the transaction!

Not really happy with last changes to the forum's layout. Added some remarks/critique in form of annotated screenshot.
(Scaling-down the whole web page doesn't solve the problem - I need this font size to read comfortably)

Some time ago I posted a picture of a guitar built for me by small luthier's shop in Warsaw. I like it so much that I order another build from them.

This time single cut, polar burl over swamp ash.

This is the last guitar I bought - I don't need more guitars.

I like it!

Works on Mac (Intel CPU) out of the box (tried with Stage) - great update! Roundtrip latency reported by Logic: 7.4 ms when using 32 sample buffer.

I tried the same, but returned Atomic in the end - the gap in sound quality and feel between KPA and Atomic was just too big for me.

Quote from piotrmaj

I don't think that pure capturing is the solution, no matter how good it is. Browsing through hundreds of captures/profiles is as much of a PITA as trying to fine tune detailed modeler, like Fractal. The ultimate solution would be highly tunable profiles based on ultra detailed captures, where capture is a starting point for quick fine tuning. Which is pretty much what KPA is doing right now (and did for over 10 years now), but maybe after-capture tuning could be more detailed to faithfully do full gain sweep from 0 to 11, etc. Whoever does it first - wins.

And here it is: Liquid Profiling! Can it get even better than this?

I don't think that pure capturing is the solution, no matter how good it is. Browsing through hundreds of captures/profiles is as much of a PITA as trying to fine tune detailed modeler, like Fractal. The ultimate solution would be highly tunable profiles based on ultra detailed captures, where capture is a starting point for quick fine tuning. Which is pretty much what KPA is doing right now (and did for over 10 years now), but maybe after-capture tuning could be more detailed to faithfully do full gain sweep from 0 to 11, etc. Whoever does it first - wins.

Memtest86 boots instead of OS, so if it detected errors then your memory chips are just bad and it is not Windows' fault.

Quote from Ingolf

2. Regarding AI training methods being open source: I guess the technology will be incorporated in every second digital guitar solution within the next two years.

Exactly - the last one to do it will probably be Fractal, but definitely machine learning based profiling solution will dominate very soon. Kudos to C. K. for beating the competition by 12 years :-). Now everyone is catching up and even surpassing KPA when it comes to reproduction of tone. This doesn't really matter because improvements to sound are nowadays not really that groundbreaking (all new digital products, whether modelers or profilers, sound great and the difference between them IMHO doesn't really have any practical value - countless blind tests confirm that).

The whole album is so good (and so is the previous one)! Can't stop listening to it. Please record another one quickly