CK seems to have just confirmed in another post that the Player uses the same processor as its big brothers so I don’t think DSP power is the issue but rather a conscious decision to limit the capabilities. He has also stated in other posts that there may be paid upgrades available in future so I would expect the full range of FX to be part of any such upgrade.
Posts by Wheresthedug
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I can't really answer that with certainty as I no longer use a real cab. All my guitar cabs are in a storage container just nowise I can't do an A/B test I would only be answering from memory which isn't always perfect. All I can say is, when I did use a real cab I never had any issues with the sound and it always sounded and felt totally natural.
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This player isn't for me - I have a Stage ..... but is it true (?) that Kemper have said that at some time in the future they will release updates which add more features etc.... but you will have to pay for them ?!?!
This would be stunning to me ... and not in a good way.
I'm not aware of any 2023 modeler that charges for new features, efx, amp etc...... Fractal, L6, Boss GT, current Kemper units etc.....
I just cant see or believe that Kemper / Christoph would even consider going down this path ?
Ben
Eventide apply this type of model with the H9 pedal. You get the core pedal and FX but then buy additional algorithms as required. I’m not saying its good or bad just that there is a precedent for it already.
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That’s very strange. I’ve never experienced anything like that.
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As Bakersounds said, the most like cause is phase cancellation because you are hearing the direct sound along with the DAW signal which is delayed a few milliseconds. You need to either turn off the direct signal and only monitor the DAW sognal 9there will be some latency this way) or turn off the monitoring via the DAW and just listen to the direct signal while tracking.
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Based on some comments Burkhard has made in various posts I think they will only be activated in a future software update.
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OneEng1 once again, I agree with most of your reasoning. It would be preferable to have the full range of FX and Morphing. The decision to dump the screen was a masterstroke in my opinion. Having the small form factor with all the space being used for physical controls makes the unit incredibly easy to use as a basic amp. I have now spent a several hours on the player and the interface is super easy and intuitive.
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Sorry to hear you’re having issues.
To answer your question
Does anyone else notice this?
No. I get great sound in all situations. I initially used my Power Head with a real Mesa EVM12L cabinet. I now use it with the Passive Kemper Kabinet or just straight into the PA and through the monitors. In all case I get a sound that I am fully happy with.
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As others have pointed out, something is clearly wrong with your setup.
I currently have a THD BiValve, Mesa Studio .22, Mark V:25, Triaxis with Stereo 2:ninety power amp and a Two Channel Dual Rectifier sitting in my shipping container as i no longer use them. The Kemper has replaced all pf the, and my old pedal board with various Od/Boost, Strymon Timeline and Strymon Mobius.
In a blind test I can’t tell the difference.
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Do you have Wah > Volume ticked in the system menu?
This allows you to use the same pedal as both Wah and Volume. If Wah is active the pedal serves as a wah pedal but if wah is not active it becomes a volume pedal.
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Thanks for the background ckemper .
I can confirm that the knobs and bargraph LEDs work brilliantly in real life. I have been playing with is all day and it is super intuitive to use.
I much appreciate having the extra physical controls rather than a display with only one or two knobs.
I would definitely like to see the KemperDrive and KemperFuzz available rather than four different overdrive FX though. And Morphing would be super useful too.
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I've got mine now and it is awesome. The tactile user experience is ideal for me. I can actually see me using this a lot instead of my PowerHead as I'm not a big FX user. Might need to invest in a Powered Kabinet too now.
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Another one here who fonds the chorus often needs taming rather than being weak.
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In Canada the Helix is $2,349.99.
The Kemper player is $1,025.00.
You can literally buy 2 Kemper players for the price of a Helix. Just imagine the possibilities.I think you're looking at the full Helix not the HX Stomp which is £499 here in the UK.
However, my product manager self says that the color LCD is sexy on the helix and will sell. I would not have released a product without the color LCD even if I thought it was functionally irrelevant due to size. In fact, I would have argued that the Kemper Player have a larger color LCD than the Helix and would have touted its readability in a live setting.
I understand your points and agree that the Helix will be stiff competition but I don't agree about the screen.
For me the use of space to allow additional physical knobs is a much better trade off. For live use the Player would be a perfect solution for most of my gigs I use a limited number of amps and barely any FX. With such a limited setup I don't need a screen to know where I am but the ability to just reach down and tweak a knob like a real amp is really attractive to me.
It will be interesting to see how it fares in the market. I liked RosboneMako analogy. I see it as a potential gateway drug to Kemper addiction too 😂
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Kellerblues is correct. The Kemper Drive is modelled on the Tube Screamer style circuit (as are all of the OD models with presets such as Klon, Blues Driver, Full Drive etc) whereas other OD effects like the Full OD are based on totally different circuits. The TS style circuit includes a portion of clean signal as part of its design. You can’t get rid of it on the real pedals either. As a result these OD pedals are designed to work with an already overdriven (or at least on the edge of breakup) amp rather then clean. The little bit of clean signal pushes the amp without making it too muddy. This means they don’t really sound their best with a clean amp. It’s just the way they were designed.
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I can’t remember the number for wah but all the CC numbers are in the Midi Implementation manual which you can download from the website.
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This one as well
External Content youtu.beContent embedded from external sources will not be displayed without your consent.Through the activation of external content, you agree that personal data may be transferred to third party platforms. We have provided more information on this in our privacy policy.I immediately thought of him too but went with Stevie as he’s still alive and could undoubtedly do amazing things with a Profile Player. Jeff would have sounded epic with one too. Saw him live once in Glasgow he was the real deal.
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If the end price is the same to me I would rather buy direct from Kemper. I am no worse off and Kemper’s profit margin will be significantly higheras they aren’t giving half the money to the dealer. More profit for Kemper means more development budget for my KPA and new products. Seems like win win to me.
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I got a very short reply from Kemper saying that there is no screen reader support yet. This does not sound promising so I'll once more stick to the lower quality equipment (ME-90 etc).
Guess we're still in the 90ths when it comes to accessibility. If your eyes aren't performing well enough, please stay away from modern profilers/modelers.
Sorry to hear that.
They are only made for real musicians.
I reckon this guy might be a REAL musician 😆
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Thank you. Is it possible to open a ticket without owning a product? I can't find an option to do so.
I don’t think so but you can email them via the contact subsection of the support menu on the website.